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Time to relax, says Amber Massie-Blomfield. Why is theatre so prudish about sex? Spending all this time watching other people get it on is undoubtedly having an impact on the ways we perceive human relationships. Yet theatre remains tight lipped on the matter. At the Lyric they're capturing the sauce of Sarah Waters' famously racy novel, Tipping the Velvet, in an unapologetically non-literal way, with some impressively acrobatic sequences involving circus silks and chandeliers — and some tongue-in-cheek deployment of wind instruments. But why should we be so priggish about someone engaging with the erotic virtues of a play as much as the esoteric ones? The current outlook seems to place sexualised sex and the intellectual as polar opposites, the implication being that critical engagement is impaired when the audience has the horn.